THERE'S NO SUCH THING AS A BAD VAMPIRE
A TALE OF TWO TWATS
cretins...


...nursing home residents were spat upon, spanked, improperly touched, and tormented by the teenagers earlier this year. Excerpts of the misdemeanor complaints can be found below. Broitzman allegedly poked one resident's breasts, spit into the mouth of another elderly person, and "put her bare butt" in the face of a Good Samaritan Society resident identified as "S.W." Larson once "inserted her finger into a resident's rectum," spit water on another "vulnerable adult," and would deliberately bathe a resident in a rough manner so the elderly man would get an erection.
I hope they get jail time but odds are they won't.
I see this attitude among more and more kids today...
Contempt for the rules of civilized society & behavior.
They should rot.
PISSED OFF AND GONNA GO ON STRIKE
ONLY BAD POT SMOKING - WHISKEY DRINKING
CRACK HEAD MOMMIES WHO FORGET TO LEAVE SOME EFFEN PLASMA IN THE FRIDGE FOR JUNIOR'S BREAKFAST
TROUBLED LAND
John Mellencamp -- Farm Aid champion and one of the heartland's favorite singer-songwriters -- has created a new video for the song "Troubled Land," a track from his latest album, Life Death Love And Freedom. The black and white clip was directed by Martyn Atkins, shot on location in Savannah, Georgia, and takes its subject matter beyond the implied anti-war message of Mellencamp's tag line "bring peace to this troubled land." The video's small town backdrop to Mellencamp's troubadour style of storytelling employs visuals such as a threatening wolf, teens pummeling a luxury car in a junkyard, a reverse-burning flag, and money freely blowing along a sidewalk, suggesting a decaying culture in desperate need of repair. Further emphasizing that point, one of the verse's lyrics conjures harbingers of sorrow and hunger walking ever-closer to their destination, visually accented by a sign-spinner performing with a "foreclosure" advertisement and a gas pump meter spinning wildly upwards. However, the video ends with a message of hope, it's last scene of a baby crawling across an American flag suggesting rebirth and renewed idealism.
Watch the video:
For this article, John said the following:
We're fighting wars we shouldn't be fighting and we've been spending money we don't have on those wars. Working people are falling into poverty and jobs are shipped overseas as corporations get tax breaks for doing so while are prisons overflow. I put out a song about the way things are called 'Troubled Land' to give folks the news like Woody Guthrie used to do with his music.And in his recent Indiana radio ad for Barack Obama, Mellencamp stated, "I've seen a lot of small towns, and now I'm seeing small towns across America dying, folks losing their jobs and their homes. Eight years of George Bush has really hurt, and John McCain is just more of the same...I'm proud to support Barack Obama, because whether you live in a small town or a big city, it's time for a change."
THE VIEW FROM NUMBER 80
Friday, April 25, 2008
THE BLUES BROTHER - THE BAND


The Blues Brothers
Elwood and Jake Blues and the Bluesmobile
Background information
Origin
New York City, New York
Genre(s)
Blues, blues-rock, blue-eyed soul
Years active
1978-present
Label(s)
Atlantic
Members
Blues Brothers featuring the death of the blues brothersElwood J. BluesZee BluesBlues Brothers Band:Steve "the Colonel" Cropper"Blue" Lou MariniAlan "Mr. Fabulous" RubinRob "The Honeydripper" PaparozziEddie "Knock on Wood" Floyd
Former members
Jake BluesDonald "Duck" Dunn
Steve "Getdwa" JordanWillie "Too Big" HallTom "Bones" MaloneMatt "Guitar" MurphyPaul "The Shiv" ShafferMurphy DunneTom "Triple Scale" Scott"Mighty Mack" McTeerLarry "T" ThurstonTommy "Pipes" McDonnell
The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on Saturday Night Live. Belushi and Aykroyd, respectively in character as lead vocalist "Joliet" Jake Blues and harpist/vocalist Elwood Blues, fronted the band, which was composed of well-known and respected musicians. The band made its debut as the musical guest on the April 22, 1978, episode of Saturday Night Live.
The band then began to take on a life beyond the confines of the television screen, releasing an album, Briefcase Full of Blues, in 1978, and then having a Hollywood film, The Blues Brothers, created around its characters in 1980.
After the death of Belushi in 1982, the Blues Brothers have continued to perform with a rotation of guest singers and other band members. The original band reformed in 1988 for a world tour and again in 1998 for a sequel to the film, Blues Brothers 2000. They make regular appearances at musical festivals worldwide.
Contents[hide]
1 Band members
1.1 Original lineup
1.2 Other members
2 Band history
2.1 Origins
2.2 Band formation
2.3 The sound
2.4 Albums, early gigs, character backgrounds
2.5 1982 and beyond
3 Films
3.1 The Blues Brothers
3.2 Blues Brothers 2000
4 Video games
5 The Blues Brothers Bar
6 In popular culture
6.1 Sports
6.2 Films and television
6.3 Video games
6.4 Music
6.5 Sculpture
6.6 Other media
7 Discography
8 References
9 External links
//
[edit] Band members
[edit] Original lineup
While not all members appeared in the original film, the full band included:
"Joliet" Jake E. Blues – vocals
Elwood J. Blues – harmonica, vocals
Steve "The Colonel" Cropper – lead and rhythm guitar (former Booker T & the M.G.'s)
Donald "Duck" Dunn – bass guitar (former Booker T & the M.G.'s)
Murphy Dunne – keyboards (brought in to act in the film due to Paul Shaffer's commitment to perform with Gilda Radner in Gilda Live!, Toured with the band in the summer of 1980)
Willie "Too Big" Hall – drums, percussion (formerly of the Bar-Kays, Isaac Hayes' band, appears in the movie)
Steve "Getdwa" Jordan – drums, percussion (Saturday Night Live Band, appears only on the albums)
Tom "Bones" Malone – trombone, trumpet, saxophone (Saturday Night Live Band)
"Blue" Lou Marini – saxophone (Saturday Night Live Band)
Matt "Guitar" Murphy – lead and rhythm guitar (Howlin' Wolf, other artists)
Alan "Mr. Fabulous" Rubin – trumpet (Saturday Night Live Band)
Paul "The Shiv" Shaffer – keyboards, arranger
Tom "Triple Scale" Scott – saxophone (doesn't appear in the movie, though his horn can still be heard on the soundtrack)
The band in the 1980 film performs "Jailhouse Rock" in prison, from left, Steve Cropper, Matt Murphy, Elwood Blues, Willy Hall, Duck Dunn, Jake Blues, Bones Malone, Alan Rubin and Blue Lou.
[edit] Other members
At various times, the following have been part of the act:
Zee Blues – vocals
"Mighty Mack" McTeer – vocals
Buster Blues – harmonica, vocals (acted by J. Evan Bonifant in Blues Brothers 2000, actual harmonica recorded by John Popper)
Cab Chamberlain – vocals
Larry "T" Thurston – vocals
Eddie "Knock on Wood" Floyd – vocals
Sam "Soul Man" Moore - vocals
Tommy "Pipes" McDonnell – harmonica, vocals
Rob "The Honeydripper" Paparozzi – harmonic vocals
Leon "The Lion" Pendarvis – piano, vocals, arranger
Danny "G-Force" Gottlieb – drums
Jimmy "Jimmy B" Biggins – saxophone
Anthony "Rusty" Cloud – keyboards
Birch "Crimson Slide" Johnson – trombone
Eric "The Red" Udel – bass
John "Smokin" Tropea – guitar
Lee "Funky Time" Finkelstein – drums
Steve Potts – drums
Larry "Trombonius Maximus" Farrell – trombone
[edit] Band history
[edit] Origins
The genesis of the Blues Brothers was a January 17, 1976 Saturday Night Live skit. In it, "Howard Shore and his All-Bee Band" play the Slim Harpo song "I'm a King Bee," with Belushi singing and Aykroyd playing harmonica, dressed in the bee costumes they wore for the "Killer Bees" sketch.
Following tapings of SNL, it was popular among cast members and the weekly hosts to attend Aykroyd's Holland Tunnel Blues bar, which he had rented not long after joining the cast mainly for the purpose of parking his Harley Davidson motorcycle. The bar cost less than a parking spot.[citation needed] Dan and John filled a jukebox with songs from many different artists such as Sam and Dave and punk band The Viletones. John bought an amplifier and they kept some musical instruments there for anyone who wanted to jam. It was here that Dan wrote a lot of the initial story draft of the Blues Brothers movie, better known as the "tome" because it contained so many pages.
It was also at the bar that Aykroyd introduced Belushi to the blues. Even though Belushi was from Chicago he was not familiar with such music. An interest soon became a fascination and it wasn't long before the two began singing with local blues bands. Jokingly, SNL band leader Howard Shore suggested they call themselves "The Blues Brothers."
Belushi's budding interest in the blues solidified in October 1977 when he was in Eugene, Oregon, filming National Lampoon's Animal House. He went to a local hotel to hear 25-year-old blues singer/harmonica player Curtis Salgado. After the show, Belushi and Salgado talked about the blues for hours. Belushi found Salgado's enthusiasm infectious. In an interview at the time with the Eugene Register-Guard he said:
I was growing sick of rock and roll, it was starting to bore me...and I hated disco, so I needed some place to go. I hadn't heard much blues before. It felt good.
Salgado lent him some albums by Floyd Dixon, Charles Brown, Johnny "Guitar" Watson, and others. Belushi was hooked.[1]
Belushi began to appear with Salgado on stage, singing the Floyd Dixon song "Hey, Bartender" on a few occasions, and using Salgado's humorous alternate lyrics to "I Don't Know":
I said Woman, you going to walk a mile for a Camel
Or are you going to make like Mr. Chesterfield and satisfy?
She said that all depends on what you're packing
Regular or king-size
Then she pulled out my Jim Beam, and to her surprise
It was every bit as hard as my Canadian Club.
These lyrics were used again for the band's debut performance on SNL.
[edit] Band formation
With the help of pianist-arranger Paul Shaffer, Belushi and Aykroyd started assembling a collection of studio talents to form their own band. These included SNL band members, saxophonist "Blue" Lou Marini and trombonist-saxophonist Tom Malone, who had previously played in Blood, Sweat & Tears. At Shaffer's suggestion guitarist Steve Cropper and bassist Donald "Duck" Dunn, the powerhouse combo from Booker T and the M.G.'s and subsequently almost every hit out of Memphis' Stax Records during the 1960s, were signed as well.
Belushi wanted a powerful trumpet player and a hot blues guitarist, so Juilliard-trained trumpeter Alan Rubin was brought in, as was guitarist Matt Murphy, who had performed with many blues legends.
For the brothers' look, Belushi borrowed John Lee Hooker's trademark Ray-Ban Wayfarer sunglasses and soul patch.
Their style was fresh and in many ways, different from prevailing musical trends: A very raw and "live" sound compared to the increasing use of sound synthesis and vocal-dominated music of the late 1970s and 80s.
[edit] The sound
While the music of the Blues Brothers is based on R&B, blues, and soul, it also drew heavily on rock and jazz elements, usually taking a blues standard and bringing a rock sound and style to it. The band could be drawn into three sections: the four-man horn section, the traditional rock instruments of the five-man rhythm section, and the two singing brothers. The sound of the band was a synthesis of two different traditions: the horn players all came from the clean, precise, jazz-influenced sound of New York City; while the rhythm section came from the grittier soul and blues sound of Chicago and Memphis. The success of this meld was due both to Shaffer's arrangements and to the musicians' talents.
In Stories Behind the Making of The Blues Brothers, a 1998 documentary included on some DVD editions of the first Blues Brothers film, Cropper noted that some of his peers thought that he and the other musicians backing the Blues Brothers were selling out to Hollywood or using a gimmick to make some quick money. Cropper responded by stating that he thought Belushi was as good as (or even better than) many of the singers he had backed; he also noted that Belushi had, early in his career, briefly been a professional drummer, and had an especially keen sense of rhythm.
[edit] Albums, early gigs, character backgrounds
The Blues Brothers recorded their first album, Briefcase Full of Blues, in 1978 while opening for comedian Steve Martin at Los Angeles' Universal Amphitheatre. The album reached #1 on the Billboard 200, went double platinum, and featured Top 40 hit covers of Sam and Dave's "Soul Man" and The Chips' "Rubber Biscuit."
The album liner notes fleshed out the fictional back story of Jake and Elwood, having them growing up in a Roman Catholic orphanage in Calumet City, Illinois.[2] and learning the blues from a janitor named Curtis. Their blood brotherhood was sealed by cutting their middle fingers with a string said to come from the guitar of Elmore James.[3]
The band, along with the New Riders of the Purple Sage, opened for the Grateful Dead for the final show at Winterland, New Year's Eve 1978.
With the film, came the soundtrack album, which was the band's first studio album. "Gimme Some Lovin'" was a Top 40 hit and the band toured to promote the film, which led to a third album (and second live album), Made in America, recorded at the Universal Amphitheatre in 1980. The track "Who's Making Love" peaked at No 39. It was the last recording the band would make with Belushi's Jake Blues.
Belushi's wife, Judith Jacklin, and his friend, Tino Insana, wrote a book, Blues Brothers: Private, that further fleshed out the Blues Brothers' universe and gave a back story for the first movie.
In 1981, Best of the Blues Brothers was released; this album would be the first of several compilations and hits collections issued over the years.
[edit] 1982 and beyond
On March 5, 1982, John Belushi died in Hollywood of an accidental overdose of heroin and cocaine.
After John Belushi's death, updated versions of the Blues Brothers have performed on SNL and for charitable and political causes. Aykroyd has been accompanied by Jim Belushi and John Goodman in character as "Zee" Blues and "Mighty Mack" McTeer. The copyright owners have also authorized some copycat acts to perform under the Blues Brothers name; one such act performs regularly at the Universal Studios Florida theme park in Orlando, Florida and Universal Studios Hollywood.
In 1997, an animated sitcom with Jake and Elwood was planned, but scrapped after only eight episodes were produced. [4]
To promote Blues Brothers 2000 (1998), Dan Aykroyd, James Belushi and John Goodman performed at the halftime of Super Bowl XXXI, along with ZZ Top and James Brown. The performance was preceded with a faux news report stating the Blues Brothers had escaped custody and were on their way to the Louisiana Superdome. The raucous innuendo-laden performance was considered somewhat scandalous at the time.
Aykroyd has continued to be an active proponent of blues music and parlayed this avocation into foundation and partial ownership of the House of Blues franchise, a national chain of nightclubs.
John Belushi's brother, James Belushi, toured with the band for a short time as "Zee Blues," and recorded the album, Blues Brothers & Friends: Live from House of Blues, with Dan Aykroyd but he didn't appear in Blues Brothers 2000. It's rumored he was approached to play not the role of "Mighty Mack" (played by John Goodman), but the role of the local Sheriff "Cab" Chamberlain (which eventually went to Joe Morton). Jim would later reunite with Aykroyd to record yet another album, not as the Blues Brothers but as themselves: Belushi/Aykroyd - Have Love Will Travel (Big Men-Big Music).
In 2004, the musical, The Blues Brothers Revival, premiered in Chicago. The story was about Elwood trying to rescue Jake from an eternity in limbo/purgatory. The musical was written and composed with approval and permission from both the John Belushi estate (including his widow, Judith Belushi-Pisano) and Dan Aykroyd.
The Blues Brothers featuring Elwood and Zee regularly perform at House of Blues venues and various casinos across North America. They are usually backed by James Belushi's Sacred Hearts Band. The rest of the Blues Brothers Band tours the world regularly. The only original members still in the band are Steve Cropper, Lou Marini, and Alan Rubin. The lead singer is Rob "The Honeydripper" Paparozzi, and they are frequently joined by Eddie Floyd.
Akyroyd currently reprises his character, Elwood Blues, as the host of the weekly House of Blues Radio Hour, heard nationwide on the Dial Global Radio Network.
[edit] Films
[edit] The Blues Brothers
Main article: The Blues Brothers (film)
In 1980, The Blues Brothers, directed by John Landis, was released. Featuring epic car chases involving the Bluesmobile and musical performances by Aretha Franklin, James Brown, Cab Calloway, Ray Charles and John Lee Hooker, the story is set in and around Chicago, Illinois. It is a tale of redemption for the paroled convict Jake Blues and his brother Elwood as they decide to take on a "mission from God" and reform their blues band in order to raise funds to save the Roman Catholic orphanage where they grew up. Along the way, the brothers are targeted by a "mystery woman" (Carrie Fisher) and chased by the Illinois State Police, a country and western band called the 'Good ol' Boys' and "Illinois Nazis." The film had a limited run when it was screened theatrically, but has since become popular through television, home video and late-night cinema screenings. It is the second-highest grossing film based on a "Saturday Night Live" sketch and sixth-highest grossing musical film.[5]
[edit] Blues Brothers 2000
Main article: Blues Brothers 2000
With Landis again directing, the sequel to The Blues Brothers was made in 1998. It fared considerably worse than its predecessor with fans and critics, though it is more ambitious in terms of musical performances by the band and has a more extensive roster of guest artists than the first film. The story picks up 18 years later with Elwood being released from prison. He is once again prevailed upon to save some orphans, and with a 10-year-old boy named Buster Blues (J. Evan Bonifant) in tow, Elwood again sets about the task of reuniting his band. He recruits some new singers, Mighty Mack (John Goodman) and Cab (Joe Morton), a policeman who was Curtis' son. All the original band members are found, as well as some performers from the first film, including Aretha Franklin and James Brown. There are dozens of other guest performers, including Eric Clapton, Steve Winwood, Junior Wells, Lonnie Brooks, Eddie Floyd, Wilson Pickett, Sam Moore, Taj Mahal and Jonny Lang, Blues Traveler, as well as an all-star supergroup led by B.B. King called the Louisiana Gator Boys. On the run from the police, Russian mafia and a racist militia, the band eventually ends up in Louisiana, where they enter a battle of the bands overseen by a voodoo practitioner named Queen Moussette (Erykah Badu). During a song by the Blues Brothers (a Caribbean number called "Funky Nassau"), a character played by Paul Shaffer asks to cut in on keyboards, which Murph allows. This marks the first time in a film that the Blues Brothers play with their original keyboardist.
[edit] Video games
Main article: The Blues Brothers (video game)
A video game involving the characters was made for various platforms by Titus. The same company produced another video game for the Amiga, Game Boy, PC and Super NES. A Nintendo 64 game titled Blues Brothers 2000 was also released.
[edit] The Blues Brothers Bar
The Blues Brothers Bar was an illegal basement tavern operated on Wells Street In Chicago's Old Town in the 1970s and 1980s which was started by John Belushi and Dan Aykroyd. The Bar was down the street from The Second City theater. In the DVD commentary of the film Thief (a film shot in Chicago in 1981), James Caan mentions the bar. The bar was run by a college friend whom Belushi met at College of DuPage, the friend often operated as a bouncer. As the bar was unlicensed, alcohol was bought by the purchase of 'tickets' which were then traded to the bartender for the drinks. The bar was discovered by authorities in 1982 and was forced to close shortly after.
[edit] In popular culture
Trivia sections are discouraged under Wikipedia guidelines.The article could be improved by integrating relevant items and removing inappropriate ones.
There have been many takeoffs and parodies of the Blues Brothers, most notably in the Chicago area.
[edit] Sports
During their drive to the Super Bowl in 1985, the Chicago Bears, members of the "Black and Blue Division" of the NFL, issued a poster of nine of their offensive linemen wearing sunglasses and black hats. The poster was titled, "The Black and Blues Brothers." The poster was an incredible success, and led to a series of similarly-themed television commercials which parodied scenes from the movie. The catch phrase of the commercials was, "We're on a mission," eliminating the "from God" portion of the original phrase.
The Chicago Cubs produced a TV ad similar to the movie scene in which the brothers arrive at a brownstone apartment seeking some former band members. When the landlady asks, "Are you the police?" they answer, "No, ma'am, we're Cubs fans." Then they launch into a parody of "Soul Man": "Comin' to ya... In the summertime... Cubs baseball... Here on Channel 9... I'm a Cubs fan... I'm a Cubs fan..."
A similar idea was used in a Budweiser ad campaign featuring Cubs broadcaster Harry Caray in the Blues Brothers costume, also known as the "Cubs Fan Bud Man" campaign.
During the Oakland Athletics' run of success from 1988 to 1992, sluggers José Canseco and Mark McGwire were tagged "the Bash Brothers" and appeared in Blues Brothers costumes for a promotional poster.
During the early 80s, the San Antonio Spurs featured George Johnson, Dave Corzine, Kevin Restani, Paul Griffin, Mark Olberding, and Reggie Johnson. For their defensive prowess in rebounds and blocked shots, they were referred to as the "Bruise Brothers."
While the NBA's Chicago Bulls were making their championship runs in the 1990s, an act called "the Bulls Brothers" often performed at halftime, with the performers bearing striking resemblances to Belushi and the younger, thinner Aykroyd.
In college basketball, some schools have students who do routines at big games dressed as the Blues Brothers. This has been a tradition at North Carolina Tar Heels basketball games for a number of years. The Northwestern University basketball pep band plays several songs from the Blues Brothers movies, such as "Gimme Some Lovin'" and "Peter Gunn Theme." Northwestern is located in the Chicago suburb of Evanston.
At a select football game every year at the University of Michigan, the Michigan Marching Band performs its famous "Compression Drill" (also known as "the Cake") as they play "Can't Turn You Loose." Band announcer Carl Grapentine introduces the song with a variation of Elwood's famous introduction, ending with "And now, from Ann Arbor, Michigan, Scotty B and his blues band!"
For the 2007 season, the Chicago White Sox have new promotional posters saying "We are on a mission from Guillen."
2008 Capital One Bowl Halftime show featured "The Blues Brothers".
[edit] Films and television
In 1997, UPN ordered thirteen episodes of The Blues Brothers Animated Series. The order was pulled shortly afterward, and only two episodes were fully completed. Peter Aykroyd provided the voice of Elwood and Jim Belushi provided the voice of Jake.
In the Nickelodeon show, Drake & Josh, there is one episode entitled "Blues Brothers," in which both Drake Parker and Josh Nichols sing their song in their talent show, "Soul Man." A novelization of this episode was published in paperback by Scholastic on July 1, 2006 (coincidentally, Dan Aykroyd's 54th birthday).[citation needed]
Three Family Guy episodes have included Blues Brothers references. In "North by North Quahog," Peter and Lois lead a car chase through a mall with "Can't Turn You Loose" playing in the background as it did in the film, The Blues Brothers.[citation needed] In "Sibling Rivalry," Stewie asks Elwood, "You! You get me my Cheese Whiz, boy?" and Elwood tosses him a can.[citation needed] In "Blue Harvest," the scene in which Jake and Elwood sneak past the guard to the tune of "Minnie the Moocher" is parodied.
In the 2005 film Fun with Dick and Jane, one of the disguises worn by Dick and Jane are matching Blues Brothers' outfits.
In the Italian film Caterina in the Big City an Australian boy who lives near Caterina has a cardboard cut-out of Jake and Elwood.
The anime musical comedy TV series Nerima Daikon Brothers is about a fat brother (Hideki), a skinny brother (Ichiro), and their female cousin (Mako) who are in a band, wear dark suits and try to raise money to build a concert dome to perform in. An excerpt from the official website:
At the risk of being obvious, the name "Nerima Daikon Brothers" is a riff on the "Blues Brothers," and much of the background music riffs in the show are homages to the Blues Brothers movie. Our Nerima Daikon Brothers can always be seen in Blues Brothers-inspired suits, hats, and sunglasses.[6]
In the Foster's Home for Imaginary Friends episode "Bye Bye Nerdy," when Bloo puts on a pair of sunglasses, he makes a spoof of a line said on the film saying "It's 106 blocks to Mac, I have a full bladder, half an idea where I'm going, it's Tuesday and I'm wearing sunglasses". Frankie then opens the window and says "Hit it!" and Bloo jumps out screaming. There is also an episode of Foster's called "Bloo's Brothers." The first three episodes that made up the 90-minute pilot "movie" are collectively named "House of Bloo's".
In an episode of Mission Hill (Ep 1.12, Happy Birthday, Kevin), Andy takes Kevin to the "Shack of Blues" for his birthday. Andy has hired the venue's resident Blues Brothers tribute act "The Blues Brothers 2000", fronted by Justin Belushi and Timothy Aykroyd-Williams. When Kevin points out that those are not the real Blues Brothers, Kevin responds, "Yeah, sorry. Dan Aykroyd sends his regrets, and John Belushi's been dead for fifteen years." (The episode aired in 2002, which means Belushi had actually been dead for twenty years by that time.)
Parodied on the Australian movie show The Bazura Project Episode 2.01, as part of the episode's opening sequence.
In a Season Four episode of the Canadian series Reboot a pair of Binomes dressed in the distinctive garb of the brothers drive across a bridge filled with binomes calling for the return of Megabyte, saying, "NeoVirals. I hate Neovirals." This is an obvious parody on the line about the Illinois Nazis. The license plate of their car is also BDR 529, the same as the Bluesmobile.
In a season one episode of Supernatural Dean, dressed as a Department of Homeland Security agent, says that he feels like one of the Blues Brothers.
[edit] Video games
The Blues Brothers make two – albeit unnamed – appearances in the Space Quest video game series. They are seen performing in a bar in both versions of the game. Attempting to talk to them in the 1991 revamped version elicits the response, "They don't have the time to talk to you, they're on a mission from God." One character is tall and thin, the other short and fat, both dressed identical to the Blues Brothers. In the Space Quest IV sequel, the player is returned to the same cantina via a time travel pod. The exact same set is shown with the same characters dancing and singing the same tunes.
In Bully civilian cars bear the license plate number of the Bluesmobile (BDR 529)
In the Super Nintendo game Earthbound, a group called the Runaway Five is a parody of and tribute to The Blues Brothers.
In World of Warcraft: The Burning Crusade a quest involves killing two Draenei called the Blue Brothers.
In the game The Lost Vikings II, there is a dialogue between Baelog and Scorch, which is a paraphrase of the famous "It's 106 miles to Chicago" line from the movie.
The game Elite Beat Agents, the main male characters are all wearing the classic Blues Brothers attire, shades and a black suit. Interestingly, the characters perform dance moves in missions where they help out others.
The arcade game Spy Hunter, uses the same theme as the Blues Brothers (the Peter Gunn theme, by Henry Mancini).
In the RPG Fallout 2 when you get Myron as your NPC, you get this talk option: "It's 106 miles to Arroyo, we got a full fusion cell, half a pack of radaway, and Im wearing a thirty year old vault suit ... Hit it."
[edit] Music
The 1981 Chipmunks/Nutty Squirrels collaboration album, Shirley, Squirrely & Melvin, is a parody of Briefcase Full of Blues.
The Pinkerton Thugs single "One Day" features an introduction of Cab Calloway gathering some orphans to spread the word about the upcoming concert.[7]
[edit] Sculpture
In the Chicago Midway Airport and outside of the Slippery Noodle Inn, The Blues Brothers are paid tribute to with a pair of life-sized replicas of Jake and Elwood.
There are statues of The Blues Brothers at Louis Armstrong International Airport in New Orleans.
The Tom Jobim campus of Rio de Janeiro Estácio de Sá University features a statue of "Joliet" Jake Blues.
There are also statues of the Blues Brothers in downtown Rock Island, Illinois, and in Brookline, MA.
There is a statue of Elwood Blues in McLean, Virginia in honor of local musician Derek Defensor who named his dog after Dan Akroyd's character. On the base of the sculpture is the inscription "We are on a mission from God."
In Mitchell, South Dakota (Home of the famous Corn Palace.), there is a sculpture of Jake and Elwood Blues sitting on a bench outside a small ice cream parlor/hot dog stand. This is one of many sculptures of pop culture icons, such as Elvis Presley, that are located on the streets surrounding the Corn Palace.
[edit] Other media
In the Andrew Clements book, Things Not Seen, the main character Bobby, who has been rendered invisible, makes the following observation:
"The good thing about February in Chicago is that no one thinks it's weird if you're all bundled up...The stocking cap, the turtleneck, the scarf around my face, the gloves, it all looks natural. Except maybe Dad's huge sunglasses. They make me look like Elwood from The Blues Brothers."
Manga-artist Kenichi Sonoda is an avid Blues Brothers fan and has included references to it in many of his works. Most notably, in his manga Gunsmith Cats, which is set in Chicago the main character's car bears the familiar license plate number BDR 529. Also, his early anime Riding Bean, also set in Chicago showed several car chases inspired by the movie, involving massive police car pileups.
In the Terry Pratchett book, Soul Music, Cliff tells Buddy that no-one can stop them because they are on "A Mission from Glod," when they are stealing a piano for their band. Glod is a character in their band "The Band with Rocks In."
[edit] Discography
1978 – Briefcase Full of Blues (Atlantic)
1980 – The Blues Brothers: Music from the Soundtrack (Atlantic)
1980 – Made in America (Atlantic)
1981 – Best of the Blues Brothers (Atlantic)
1983 – Dancin' Wid Da Blues Brothers (Atlantic)
1988 – Everybody Needs the Blues Brothers
1990 – The Blues Brothers Band Live in Montreux (recorded on July 12, 1989 at the Montreux Casino with Eddie Floyd and Larry "T" Thurston, vocals)[8]
1992 – Red, White & Blues (Turnstyle)[9]
1992 – The Definitive Collection (Atlantic/WEA)
1995 – The Very Best Of The Blues Brothers (Atlantic)
1997 – Blues Brothers & Friends: Live from House of Blues (A&M)
1998 – Blues Brothers 2000: Original Motion Picture Soundtrack
1998 – The Blues Brothers Complete (Atlantic)[10]
2003 – The Essentials (Warner Strategic)[11]
[edit] References
^ This is detailed in an article in the January 4, 1979, edition of the Eugene Register-Guard.
^ - script has a typo, referring to the location of the St. Helen of the Blessed Shroud Orphanage as being in Calumed City...it is properly Calumet City
^ Biography of the Blues Brothers from their album, A Briefcase Full of Blues, retrieved on November 30, 2006.
^ "The Blues Brothers Animated Series" (1997) - Episode list
^ Box Office Mojo. The Blues Brothers. Retrieved on December 16, 2006.
^ http://www.ndbrotherstv.com/roots.html
^ Go-Kart vs. the Corporate Giant, Volume 2 (All-Music Guide)
^ The Blues Brothers Live in Montreaux, BluesBrothersCentral.com (retrieved on January 8, 2007).
^ Red, White & Blues, BluesBrothersCentral.com (retrieved on January 8, 2007).
^ The Blues Brothers Complete, BluesBrothersCentral.com (retrieved on January 8, 2007).
^ The Essentials, BluesBrothersCentral.com (retrieved on January 8, 2007).
[edit] External links
Official site
Blues Brothers Central (Unofficial Fansite)
The Blues Brothers at Allmusic
alt.fan.blues-brothers FAQ and Salgado story, from a fan's directory on a university website
The Birth of the Blues (Brothers), a January 1979 article from the Eugene Register-Guard
Interview (MP3) with John Belushi biographer Tanner Colby and widow Judith Belushi Pisano on the public radio program The Sound of Young America regarding their book, "Belushi". Includes clips from Belushi's work on The National Lampoon Radio Hour.
The Blues Brothers Links Archive
The Blues Mobile.com with Elwood Blues
I WANT TO GET ONE FUCKING THING STRAIGHT
QUIT SPREADING RUMORS ABOUT ME AND HILARY CLINTON
I DON'T KNOW THE WOMEN
I NEVER MET THE WOMEN
I HAVE NEVER HAD SEX WITH THAT WOMEN
I DO HAVE A QUESTION.....
IS GETTING A BLOWJOB CONSIDERED HAVING SEX
JUST ASKING........
101 LIES MEN TELL WOMEN
Funny Cartoons and Pictures

1. I'll call you.
2. I love you.
3. You're the only one.
4. I've never felt this way about anyone else.
5. I've got to work late at the office tonight.
6. That's the best sex I've ever had.
7. You've got the most beautiful eyes.
8. No, I'm not married.
9. Sorry. I must have left my wallet and credit cards at home.
10. You just have to believe me when I tell you nothing's wrong.
11. I'm ready to make a commitment.
12. Except for a beer or two, I never drink.
13. My wife and I haven't had sex in years.
14. We'll get married as soon as I ...
15. I'll be home in twenty minutes.
16. It's not that I don't care - I just have to spend more time with
my kids.
17. I've only slept with maybe ten women in my entire life.
18. I've been celibate since we broke up.
19. I could never lie to you.
20. I can still last all night.
21. I always use a con-dom.
22. I can help you get a great job in my company (field)
23. I haven't seen her since she and I broke up.
24. I tested HIV negative.
25. I haven't seen her since she and I broke up.
26. The only sexual fantasies I have are about you.
27. No, I don't think your thighs (stomach, breasts, hips, etc.) are
too big.
28. I'm too tired.
29. How could you think I'd be interested in her? She's your best
friend.
30. When it comes to oral sex, I'm the best.
31. I've never had any trouble keeping an erection before.
32. It's you and me, babe - we'll make love all over Europe.
33. I'd never do anything to hurt you.
34. I want to grow old with you.
35. Believe me, my wife and I live very separate lives.
36. Our having sex won't change a thing between us.
37. Don't worry, I've had a vasectomy.
38. I'm going to leave my wife.
39. You're nothing at all like my mother.
40. Your being a different religion doesn't matter to me.
41. It doesn't bother me that you make more money than I do.
42. Even without sex, we'd still be friends.
43. I think older women are the most exciting.
44. I'm considered one of the top people (in my field, in the company).
45. What attracts me to you is your mind.
46. We'll split all the child care and household chores fifty-fifty.
47. Of course I don't mind that you didn't come.
48. I've never had an affair before.
49. You're the only one who understands me.
50. I've never been in therapy.
51. You're the best thing that's ever happened to me.
52. No, I'm not seeing anyone else.
53. I haven't thought about her (old girlfriend) in years.
54. How many times do I have to tell you I'm not having an affair?
55. Your career is as important as mine.
56. I promise you that I'll change.
57. I want us to remain close friends always.
58. My wife and I have an understanding.
59. You're wonderful; you deserve someone better than me.
60. I don't masturbate.
61. Let's be friends first.
62. When you walked through that door, I knew it was the real thing.
63. I'd like you even if you were a man.
64. It's okay to be good looking, but looks just don't mean that much
to me.
65. The difference between us will bring us even closer.
66. I spend everything I earn on you and the kids.
67. No, I never said that.
68. You make me feel like a kid again.
69. I'm going out with the boys (to the gym, to the office).
70. I'll move wherever you want.
71. Of course I'm not bored with you.
72. As soon as I finish this project (get a promotion, a raise, make
partner), we'll......
73. You've got more sex appeal in your little toe than my wife's got
in her whole body.
74. It wouldn't be you and me anymore if I used one of those.
75. Let's pool our assets - whatever is mine is yours.
76. I still find you just as attractive as the day I met you.
77. Divorce is the farthest thing from my mind.
78. Sure, I'll watch the kids.
79. It's not just the sex I want, it's being close to you.
80. We'll be spending a lot of time together when I retire.
81. You're the only reason I've worked so hard.
82. If I didn't have all this work, you know I'd go with you and the
kids to your mom's.
83. No one's ever turned me on like you do.
84. My boss says there's nothing to worry about.
85. I'll never tell.
86. Relax, she's just a friend.
87. This is just a temporary separation until
we get things worked out.
88. Your hair (dress, outfit) looks fantastic.
89. It was just sex - it didn't mean a thing.
90. Of course I'm listening to what you're saying.
91. Come on in and we'll just cuddle for a few minutes.
92. No, I don't think you're fat.
93. You're the woman I should have married.
94. I'm going to be focusing on my work for a while now.
95. I guarantee you, I'm not the father.
96. Your having kids has nothing to do with my not wanting to get
married.
97. I'm not ashamed of the way you talk (look, act, etc.)
98. It's nothing personal; I just don't like sharing my living space
with someone.
99. This time I'm really serious.
100. Honestly, honey, it's just for the guys - none of the wives go to
the conference.
101. I'll always take care of you.
I'M IN A JESSE FRANCO STATE OF MIND
THE MONEY MYTH
The Money Myth ExplodedPosted in the database on Monday, June 19th, 2006 @ 12:11:08 MST (65535 views) | |
| by Louis Even Micheal Journal | |
“The Money Myth Exploded” was one of the first articles of Louis Even, and remains one of the most popular to explain how money is created as a debt by private banks. An explosion had blown their ship apart. Each one grasped the first bit of wreckage that came to hand. And when it was over, there were five left, five huddled on a raft which the waves carried along at their will. As for the other victims of the disaster, there was no sign of them. Hour after long hour their eyes searched the horizon. Would some passing ship sight them? Would their make-shift raft finds its way to some friendly shore? Suddenly a cry rang out: “Land! Look! Over there, in the direction the waves are carrying us!” And as the vague silhouette proved itself to be, in fact, the outline of a shore, the figures on the raft danced with joy. They were five. There was Frank, the carpenter, big and energetic. It was he who had first cried, “Land!”. Then Paul, a farmer. You can see him, front and left in the picture, on his knees, one hand against the floor, the other gripping the mast of the raft. Next is Jim, an animal breeder; he's the one in the striped pants, kneeling and gazing in the direction of land. Then there is Harry, an agriculturist, a little on the stout side, seated on a trunk salvaged from the wreck. And finally Tom, a prospector and a mineralogist; he is the merry fellow standing in the rear of the picture with his hand on the carpenter's shoulder. To our five men, setting foot on land was like returning to life from the grave. When they had dried and warmed themselves their first impulse was to explore this little island on to which they had been cast, far from civilization. A quick survey was sufficient to raise their spirit. The island was not a barren rock. True enough, they were the only men on it at the moment. But judging from the herds of semi-domesticated animals they encountered, there must have been men here at some time before them. Jim, the animal breeder, was sure he could completely domesticate them and put them to good service. Paul found the island's soil, for the most part, to be quite suitable for cultivation. Harry discovered some fruit trees which, if properly tended, would give good harvests. Most important were the large stands of timber embracing many types of wood. Frank, without too much difficulty, would be able to build houses for the little community. As for Tom, the prospector, well, the rock formations of the island showed signs of rich mineral deposits. Lacking the tools, Tom still felt his ingenuity and initiative could produce metals from the ores. So each could serve the common good with his special talent. All agreed to call the place Salvation Island. All gave thanks to Providence for the reasonably happy ending to what could have been stark tragedy. Here are the men at work. The carpenter builds houses and makes furniture. At first they find their food where they can. But soon the fields are tilled and seeded, and the farmer has his crops. As season followed season this island, this heritage of the five men, Salvation Island, became richer and richer. Its wealth was not that of gold or of paper bank notes, but one of true value; a wealth of food and clothing and shelter, of all the things to meet human needs. Each man worked at his own trade. Whatever surpluses he might have of his own produce, he exchanged for the surplus products of the others. Life wasn't always as smooth and complete as they could have wished it to be. They lacked many of the things to which they had been accustomed in civilization. But their lot could have been a great deal worse. Besides, all had experienced the depression in Canada. They still remembered the empty bellies side by side with stores crammed with food. At least, on Salvation Island, they weren't forced to see the things they needed rot before their eyes. Taxes were unknown here. Nor did they go in constant fear of seizure by the bailiff. They worked hard but at least they could enjoy the fruits of their toil. So they developed the island, thanking God and hoping for the day of reunion with their families, still in possession of life and health, those two greatest of blessings. Our men often got together to talk over their affairs. Under the simple economic system which had developed, one thing was beginning to bother then more and more; they had no form of money. Barter, the direct exchange of goods for goods, had its drawbacks. The products to be exchanged were not always at hand when a trade was discussed. For example, wood delivered to the farmer in winter could not be paid for in potatoes until six months later. Sometimes one man might have an article of considerable size which he wished to exchange for a number of smaller articles produced by different men at different times. All this complicated business and laid a heavy burden on the memory. With a monetary system, however, each one could sell his products to the others for money. With this money he could buy from the others the things he wanted, when he wished and when they were available. It was agreed that a system of money would indeed be very convenient. But none of them knew how to set up such a system. They knew how to produce true wealth - goods. But how to produce money, the symbol of this wealth, was something quite beyond them. They were ignorant of the origin of money, and needing it they didn't know how to produce it. Certainly, many men of education would have been in the same boat; all our governments were in that predicament during the ten years prior to the war. The only thing the country lacked at that time was money, and the governments apparently didn't know what to do to get it. One evening, when our boys were sitting on the beach going over their problem for the hundredth time, they suddenly saw approaching a small boat with a solitary man at the oars. They learned that he was the only survivor of a wreck. His name: Oliver. Delighted to have a new companion, they provided him with the best that they had, and they took him on an inspection tour of the colony. “Even though we're lost and cut off from the rest of the world,” they told him, “we haven't too much to complain about. The earth and the forest are good to us. We lack only one thing — money. That would make it easier for us to exchange our products.” “Well, you can thank Providence,” replied Oliver, “because I am a banker, and in no time at all, I'll set up a system of money guaranteed to satisfy you. Then you'll have everything that people in civilization have.” A banker!... A BANKER!... An angel coming down out of the clouds couldn't have inspired more reverence and respect in our men. For, after all, are we not accustomed, we people in civilization, to genuflect before bankers, those men who control the lifeblood of finance? “Mr. Oliver, as our banker, your only occupation on this island will be to look after our money; no manual labour.” “I shall, like every other banker, carry out to complete satisfaction my task of forging the community's prosperity.” “Mr. Oliver, we're going to build you a house that will be in keeping with your dignity as a banker. But in the meantime, do you mind if we lodge you in the building that we use for our get-togethers?” “That will suit me, my friends. But first of all, unload the boat. There's paper and a printing press, complete with ink and type, and there's a little barrel which I exhort you to treat with the greatest care.” They unloaded everything. The small barrel aroused intense curiosity in our good fellows. “This barrel,” Oliver announced, “contains a treasure beyond dreams. It is full of... gold!” Full of gold! The five all but swooned. The god of civilization here on Salvation Island! The yellow god, always hidden, yet terrible in its power, whose presence or absence or slightest caprice could decide the very fate of all the civilized nations! “Gold! Mr. Oliver, you are indeed a great banker!” “Oh august majesty! Oh honorable Oliver! Great high priest of the god, gold! Accept our humble homage, and receive our oaths of fidelity!” “Yes, my friends, gold enough for a continent. But gold is not for circulation. Gold must be hidden. Gold is the soul of healthy money, and the soul is always invisible. But I'll explain all that when you receive your first supply of money.” Before they went their separate ways for the night, Oliver asked them one last question. “How much money will you need to begin with in order to facilitate trading?” They looked at one another, then deferentially towards the banker. After a bit of calculation, and with the advice of the kindly financier, they decided that $200 each would do. The men parted, exchanging enthusiastic comments. And in spite of the late hour, they spent most of the night lying awake, their imaginations excited by the picture of gold. It was morning before they slept. As for Oliver, he wasted not a moment. Fatigue was forgotten in the interests of his future as a banker. By dawn's first light, he dug a pit into which he rolled the barrel. He then filled it in, transplanting a small shrub to the spot about which he carefully arranged sod. It was well hidden. Then he went to work with his little press to turn out a thousand $1 bills. Watching the clean new banknotes come from his press, the refugee turned banker thought to himself: “My! How simple it is to make money. All its value comes from the products it will buy. Without produce, these bills are worthless. My five naive customers don't realize that. They actually think that this new money derives its value from gold! Their very ignorance makes me their master.” And as evening drew on, the five came to Oliver — on the run. Five bundles of new banknotes were sitting on the table. “Before distributing the money,” said the banker, “I would like your attention. “Now, the basis of all money is gold. And the gold stored away in the vault of my bank is my gold. Consequently, the money is my money. Oh! Don't look so discouraged. I'm going to lend you this money, and you're going to use it as you see fit. However, you'll have to pay interest. Considering that money is scarce here, I don't think 8% is unreasonable.” “Oh, that's quite reasonable, Mr. Oliver.” “One last point, my friends. Business is business, even between pals. Before you get the money, each of you is going to sign a paper. By it you will bind yourselves to pay both interest and capital under penalty of confiscation of property by me. Oh! This is a mere formality. Your property is of no interest to me. I'm satisfied with money. And I feel sure that I'll get my money, and that you'll keep your property.” “That makes sense, Mr. Oliver. We're going to work harder than ever in order to pay you back.” “That's the spirit. And any time you have a problem, you come and see me. Your banker is your best friend. Now here's two hundred dollars for each one of you.” And our five brave fellows went away, their hands full of dollar bills, their heads swimming with the ecstasy of having money. And so Oliver's money went into circulation on the island. Trade, simplified by money, doubled. Everybody was happy. And the banker was always greeted with unfailing respect and gratitude. But now, let's see... Why does Tom, the prospector, look so grave as he sits busily figuring with a pencil and paper? It is because Tom, like the others, has signed an agreement to repay Oliver, in one year's time, the $200 plus $16 interest. But Tom has only a few dollars in his pocket, and the date of payment is near. For a long time he had wrestled with this problem from his own personal point of view, without success. Finally, he looked at it from the angle of the little community as a whole. “Taking into consideration everyone on the island as a whole,” he mused, “are we capable of meeting our obligations? Oliver turned out a total of $1000. He's asking in return $1080. But even if we bring him every dollar bill on the island, we'll still be $80 short. Nobody made the extra $80. We turn out produce, not dollar bills. So Oliver can take over the entire island, since all the inhabitants together can't pay him back the total amount of the capital and the interest. “Even if a few, without any thought for the others, were able to do so, those others would fall. And the turn of the first spared would come eventually. The banker will have everything. We'd better hold a meeting right away and decide what to do about it.” Tom, with his figures in his hand, had no difficulty in proving the situation. All agreed that they had been duped by the kindly banker. They decided upon a meeting at Oliver's. Oliver guessed what was on their minds, but he put on his best front. While he listened, the impetuous Frank stated the case for the group. “How can we pay you $1080 when there is only $1000 on the entire island?” “That's the interest, my friends. Has not your rate of production increased?” “Sure, but the money hasn't. And it's money you're asking for, not our products. You are the only one who can make money. You've made only $1000, and yet you ask $1080. That's an impossibility!” “Now listen, fellows. Bankers, for the greater good of the community, always adapt themselves to the conditions of the times. I'm going to require only the interest. Only $80. You will go on holding the capital.” “Bless you, Mr. Oliver! Are you going to cancel the $200 each of us owes you?” “Oh no! I'm sorry, but a banker never cancels a debt. You still owe me all the money you borrowed. But you'll pay me, each year, only the interest. If you meet the interest payments faithfully each year, I won't push you for the capital. Maybe some won't be able to repay even the interest because of the money changing hands among you. Well, organize yourselves like a nation. Set up a system of money contributions, what we call taxes. Those who have more money will be taxed more; the poor will pay less. See to it that you bring me, in one lump sum, the total of the amount of interest, and I'll be satisfied. And your little nation will thrive.” So our boys left, somewhat pacified, but still dubious. Oliver is alone. He is deep in reflection. His thoughts run thus: “Business is good. These boys are good workers, but stupid. Their ignorance and naivety is my strength. They ask for money, and I give them the chains of bondage. They give me flowers, and I pick their pockets. “True enough, they could mutiny and throw me into the sea. But pshaw! I have their signatures. They're honest. They'll honor their pledges. Honest, hardworking people were put into this world to serve the Financiers. “Oh great Mammon! I feel your banking genius coursing through my entire being! Oh, illustrious master! How right you were when you said: `Give me control of a nation's money, and I won't mind who makes its laws.' I am the master of Salvation Island because I control its money. “My soul is drunk with enthusiasm and ambition. I feel I could rule the universe. What I, Oliver, have done here, I can do throughout the entire world. Oh! If only I could get off this island! I know how I could govern the world without wearing a crown. “My supreme delight would be to instill my philosophy in the minds of those who lead society: bankers, industrialists, politicians, reformers, teachers, journalists — all would be my servants. The masses are content to live in slavery when the elite from among them are constituted to be their overseers.” Meanwhile, things went from bad to worse on Salvation Island. Production was up, and bartering had dropped to a minimum. Oliver collected his interest regularly. The others had to think of setting money aside for him. Thus, money tended to clot instead of circulating freely. Those who paid the most in taxes complained against those who paid less. They raised the prices of their goods to compensate for this loss. The unfortunate poor who paid no taxes lamented the high cost of living, and bought less. If one took a salaried job with another, he was continually demanding increases in salary in order to meet the mounting cost of living. Morale was low. The joy went out of living. No one took an interest in his work. Why should he? Produce sold poorly. When they would make a sale, they had to pay taxes to Oliver. They went without things. It was a real crisis. And they accused one another of wanting in charity, and of being the cause of the high cost of living. One day, Harry, sitting in his orchard, pondered over the situation. He finally arrived at the conclusion that this “progress”, born of a refugee's monetary system, had spoiled everything on the island. Unquestionably, all five had their faults, but Oliver's system seemed to have been specifically designed to bring out the worst in human nature. Harry decided to demonstrate this to his friends and to unite them for action. He started with Jim, who was not hard to convince. “I'm no genius,” he said, “but for a long time now there's been a bad smell about this banker's system.” One by one they came to the same conclusion, and they ended up by deciding to have another conference with Oliver. A veritable tempest burst about the ears of the banker. “Money's scarce on the island, fellow, because you take it away from us! We pay you and pay you, and still we owe you as much as at the beginning. We work our heads off! We've the finest land possible, and yet we're worse off than before the day of your arrival. Debts! Debts! Up to our necks in debts!” “Oh! Now boys, be reasonable! Your affairs are booming, and it's thanks to me. A good banking system is a country's best asset. But if it is to work beneficially, you must have faith in the banker. Come to me as you would to a father... Is it more money that you want? Very well. My barrel of gold is good for many thousands of dollars more. See, I'm going to mortgage your latest acquisitions, and lend you another thousand dollars right now.” “So! Now our debt goes up to $2000! We are going to have twice as much interest to pay for the rest of our lives!” “Well, yes — but I'll lend you more whenever the value of your property increases. And you'll never pay anything but the interest. You'll lump all your debts into one — what we call a consolidated debt. And you can add to the debt, year after year.” “And raise the taxes, year after year?” “Obviously. But your revenues also increase every year.” “So then, the more the country develops each year because of our labor, the more the public debt increases!” “Why, of course! Just as in your country – or in any other part of the civilized world for that matter. The degree of a country's civilization is always gauged by the size of its debt to the bankers.” “And that's a healthy monetary system, Mr. Oliver?” “Gentlemen, all sound money is based on gold, and it comes from the banks in the form of debts. The national debt is a good thing. It keeps men from becoming too satisfied. It subjugates governments to the supreme and ultimate wisdom, that which is incarnate in bankers. As a banker, I am the torch of civilization here on your little island. I will dictate your politics and regulate your standard of living.” “Mr. Oliver, we're simply uneducated folks, but we don't want that kind of civilization here. We'll not borrow another cent off of you. Sound money or not, we don't want any further transactions with you.” “Gentlemen, I deeply regret this very ill-advised decision of yours. But if you break with me, remember, I have your signatures. Repay me everything at once — capital and interest.” “But that's impossible, sir. Even if we give you all the money on the island, we still won't be square with you.” “I can't help that. Did you or did you not sign? Yes? Very well. “By virtue of the sanctity of contracts, I hereby seize your mortgaged property which was what you agreed to at the time you were so happy to have my help. If you don't want to serve willingly the supreme authority of money, then you'll obey by force. You'll continue to exploit the island, but in my interests and under my conditions. Now, get out! You'll get your orders from me tomorrow.” Oliver knew that whoever controlled the nation's money, controlled the nation. But he knew also that to maintain that control, it was necessary to keep the people in a state of ignorance, and to distract them by a variety of means. Oliver had observed that of the five islanders, two were conservatives and three were liberals. That much had evolved from their evening conversations, especially after they had fallen into slavery. And between the conservatives and those who were liberals, there was a constant friction. On occasions, Harry, the most neutral of the five, considering that all had the same needs and aspirations, had suggested the union of the people to put pressure on the authorities. Such a union, Oliver could not tolerate; it would mean the end of his rule. No dictator, financial or otherwise, could stand before a people united and educated. Consequently, Oliver set himself to foment, as much as possible, political strife between them. The refugee put his press to work, turning out two weekly newspapers, “The Sun”, for the Liberals, and “The Star”, for the Conservatives. The general tenor of “The Sun” was: “If you are no longer master, it is because of those traitorous Conservatives who have sold out to big business.” That of “The Star”: “The ruinous state of business and the national debt can be traced directly to the political responsibility of those unmentionable Liberals.” One day, Tom, the prospector, found on a small beach, hidden by tall grass at one end of the island, a lifeboat, empty except for a trunk in good condition lying in the bottom of it. He opened the trunk. Among the articles within, a sort of album caught his eye: “The First Year of Social Credit”. Between the covers he found the first of a Social Credit publication. Curious, Tom sat down and began to read the volume. His interest grew; his face lit up. “Well, just look at this!” he cried out loud. “This is something we should have known a long time ago.” “Money gets its value, not from gold, but from the products which that money buys. “Simply put, money should be a sort of accountancy, credits passing from one account to another according to purchases and sales. The sum total of money will depend upon the sum total of production. “Each time production increases, there is a corresponding increase in the amount of money. Never at any time should interest be paid on new money. Progress is marked, not by an increase in the public debt, but by the issuance of an equal dividend to each individual... Prices are adjusted to the general purchasing power by a coefficient of prices. Social Credit...” But Tom could no longer contain himself. He got up and set off at a run, the book in his hands, to share this glorious discovery with his four comrades. So Tom became the teacher. He taught the others what he had learned from that God-sent Social Credit publication. “This,” he said, “is what we can do without waiting for a banker and his keg of gold, nor without underwriting a debt. “I open an account in the name of each one of you. In the right hand column are the credits which increase your account; to the left are the debits which subtract from your account. “Each wants $200 to begin with. Very well. We write $200 to the credit of each. Each immediately has $200. “Frank buys some goods from Paul for $10. I deduct $10 from Frank, leaving him $190. I add $10 to Paul, and he now has $210. “Jim buys from Paul to the amount of $8. I deduct from Jim $8, leaving him $192. Paul now has $218. “Paul buys wood from Frank for $15. I deduct $15 from Paul, leaving $203. I add $15 to Frank's account, and it goes back to $205. “And so we continue; from one account to another, in the same fashion that paper banknotes go from one man's pocket to another's. “If someone needs money to expand production, we issue him the necessary amount of new credit. Once he has sold his products, he repays the sum to the credit fund. The same with public works; paid for by new credits. “Likewise, each one's account is periodically increased, but without taking credits from anyone, in order that all may benefit from the progress society makes. That's the national dividend. In this fashion, money becomes an instrument of service.” Everyone understood. The members of this little community became Social Crediters. The following day, Oliver, the banker, received a letter signed by the five: “Dear sir! Without the slightest necessity you have plunged us into debt and exploited us. We don't need you anymore to run our money system. From now on, we'll have all the money we need without gold, debts, nor thieves. We are establishing, at once, the system of Social Credit on the island. The national dividend is going to replace the national debt. “If you insist on being repaid, we can repay you all the money you gave us. But not a cent more. You cannot lay claim to that which you have not made.” Oliver was in despair. His empire was crumbling. His dreams shattered. What could he do? Arguments would be futile. The five were now Social Crediters: money and credit were now not more mysterious to them than they were to Oliver. “Oh!” said Oliver. “These men have been won to Social Credit! Their doctrine will spread far more quickly than mine. Should I beg forgiveness? Become one of them? I, a financier and a banker? Never! Rather, I shall try and put as much distance between them and me as I can!” To protect themselves against any future claim by Oliver, our five men decided to make him sign a document attesting that he again possessed all he had when he first arrived on the island. An inventory was taken; the boat, the oars, the little press, and the famous barrel of gold. Oliver had to reveal where he had hidden the gold. Our boys hoisted it from the hole with considerably less respect than the day they had unloaded it from the boat. Social Credit had taught them to despise gold. The prospector, who was helping to lift the barrel, found it surprisingly light for gold. If the barrel was full, he told the others, there was something in it besides gold. The impetuous Frank didn't waste a moment; a blow of the axe, and the contents of the barrel was exposed. Gold? Not so much as a grain of it! Just rocks — plain, worthless rocks! Our men couldn't get over the shock. “Don't tell us that he could bamboozle us to this extent!” “Were we such muttonheads as to go into raptures over the mere mention of gold?” “Did we mortgage all of our possessions for a few pieces of paper based on a few pounds of rocks? It's a robbery, compounded with lies!” “To think that we sulked and almost hated one another all because of such a fraud! That devil!” Furious, Frank raised his axe. In great haste, the banker has already taken flight towards the forest. After the opening of the barrel, and the revelation of his duplicity, nothing further was heard of Oliver. Shortly after, a ship, crusing off the normal navigation route, noticed signs of life on this uncharted island, and cast anchor a short distance offshore. The men learned that the ship was en route to America. So they decided to take with them what they could carry, and return to the United States. Above all, they made sure to take back with them the album, “The First Year of Social Credit”, which had proven to be their salvation from the hands of the financier, Oliver, and which had illumined their minds with an inextinguishable light. All five solemnly promised to get in touch with the management of this paper, once back in America, and to become devoted and zealous apostles of the Cause of Social Credit in their country. | |
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Posted Dec 21, 2007A story about family, greed, religion, and oil, centered around a turn-of-the-century Texas prospector (Daniel Day-Lewis) in the early days of the business.
GIVE ME THAT OLD FASHION RELIGION
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1. Shipwreck survivors
3. True wealth
5. Arrival of a refugee
7. The secret burial
9. A problem in arithmetic
11. Oliver exults
13. Enslaved by Oliver
15. Control of the press
17. Money — elementary accounting
19. The fraud unmasked

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